As if the prospect of facing Brittney Griner wasn't already scary enough for WNBA defenders, defending her just got a whole lot harder, thanks to Kareem Abdul-Jabbar.

Abdul-Jabbar worked with the former Baylor star and top pick of the 2013 WNBA draft, teaching her the nuances of his signature hook shot.

"I went to legend school today," Griner told reporters after working with Abdul-Jabbar, "and it was awesome."

The skyhook did wonders for Abdul-Jabbar, the six-time NBA MVP and the league's all-time leading scoring champion. And while it's not common in the WNBA, Griner said she could see herself adding it to her arsenal.

According to reports, Griner struggled at first with the skyhook, but after 20 minutes she looked more comfortable with the shot.

"She did start to get it, how I used it," Abdul-Jabbar said. "Not everybody uses the same tool in the same way, so you've got to make adjustments to that. But I think with her potential and willingness to learn, she'll do well."

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How do you make the best basketball player on the planet appear ordinary? Have him shoot jumpers next to Ray Allen.

It's been one week since the Heat's 27-game win streak ended, and the team is getting in a quick practice before flying to Charlotte for its next game. Miami has clinched the top record in the Eastern Conference, giving it the No. 1 seed and home court advantage in the playoffs. The guys are loose. The pressure is off. Everyone's having fun.

On the far end of the practice facility, LeBron James is paired with Allen for some shooting drills. This is where the three-time NBA MVP, the reigning Finals MVP and the two-time Olympic gold medalist looks almost pedestrian. Because for all his gifts and all his talent and all the triple-doubles and all the titles James may win, there's one thing in basketball he'll never be: A better three-point shooter than Ray Allen. Sorry, LBJ, that's just the way it is. But don't sweat it; there's no shame in taking a backseat to perfection.

Scorer. Shooter. Pure shooter. Ray Allen.

On the totem pole of labels given to NBA players who have made a name for themselves by racking up points, the above hierarchy has been in place since the year 2000, or roughly the time when Ray Allen started shooting threes at well above a 40 percent clip, including back-to-back seasons over 43 percent.

"As a guard coming into this league, you try to figure out how to have an impact on the game," Allen says after practice. "When I first got into the NBA, I was paired with two post players who we went to pretty regularly, so I had to space the floor."

The best way to space the floor is to force a defense to recognize that if you're left open from downtown, you're going to hit the shot. If the help defense comes, someone else is open. If it doesn’t? Bucket.

***

The practice winds down and James and Allen are the only two guys shooting on their hoop. There's one ball between them and as Allen's shots fall, James is momentarily reduced to playing the part of the little brother who stands under the hoop, waiting for one of his big brother''s shots to bounce out so he can have a turn. In the understood world of make-it take-it during shootarounds, Allen is the most lopsided partner imaginable. He almost always makes it, which means you're almost never taking it.

Swish. Rebound. Repeat. This process happens over and over again, each shot a mirror image of the one before it.

"I was a great shooter going into college from high school," Allen says. “I could shoot well and I could score. When I got to college, I just learned more about the fundamentals of shooting and being consistent."

Consistency is the bedrock of being a great long-range shooter; it shows up on the court, in your physical shot, and on the stat sheet, with the results. Allen's season-by-season shooting totals and percentages are a study in repeat performances. He's had 11 straight seasons of hitting more than 100 threes. In many of those seasons, he either approached or topped 200. In 2006, during what could be considered his magnum opus year on production from behind the arc, he hit 269 threes on 653 attempts (41 percent). He also shot 90 percent from the foul line that year.

Milwaukee. Seattle. Boston. Miami. The address doesn't matter. Put Ray Allen 23 feet and 9 inches from the basket in any arena under any conditions and he’ll still be the most efficient three-point assassin in the league.

***

"Being a great three-point shooter wasn't something that I set out to do," Allen says. "Over time in the NBA, especially early in my career, I've had shooting coaches who philosophized about how to shoot that A-type shot every time. There are lots of guys who can shoot a 'C' shot in this league and they can get pretty good at it. But if you can shoot your ‘A' shot every time, that's how you become one of the best."

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Great players are always adding to their game, and Dwyane Wade recognized that he could learn a move that is popular with international players. Here he demonstrates how it is done:

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More From Men's Health:
-- Dwyane Wade: Basketball Dad
-- Want To Dunk As Good As The Pros? Try The NBA Workout
-- How To Win Your March Madness Contest

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If the Clippers had lost to the New York Knicks on Sunday, a lot of unhappy L.A. fans might have pointed a finger at assistant coach Bob Thate.

While assistant coaches normally stay out of the spotlight, Thate did something unusual before Sunday's game -- he spent time working with an opposing player.

But this wasn't just any opponent. Thate met with Jason Kidd, with whom he worked on the New Jersey Nets, to give the veteran guard some pointers on his three-point shooting. Kidd was in need of some coaching, as he had shot 2-for-17 in the Knicks' four previous games.

"He helped me out a little bit, what I was doing wrong," Kidd told the New York Daily News. "I've known him for a long time, his family. I'm happy he's working with the Clippers and Blake (Griffin). He just pointed out a couple of things, just trying to help you out."

The 20-minute tutorial between Thate and Kidd was so rare that Jeff Van Gundy called it "one of the most interesting things" he's seen in a long time.

And at the end of the day, everyone went home happy. Kidd shook off his cold streak and nailed his first three three-pointers of the game. Meanwhile, the Clippers won the game, so Thate avoided any finger-pointing.

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Ryan Evans' options were limited.

The Wisconsin senior, normally an average free throw shooter, was struggling mightily at the foul line this year. After connecting on 72.6 percent of his free throws last year, Evans had slipped to around 40 percent late this season.

With his past percentages Evans had proven his mechanics were sound, so there wasn't much to fix there. Plus it was too late in the season, and his career at Wisconsin, to mess with Evans' motion. So Wisconsin coach Bo Ryan gave Evans three options.

“Well, it was A, B, or C,” Ryan told reporters over the weekend. “'A' was the jump shot, the Hal Greer way. 'B' was the Globetrotter, kick the ball in. And third was underhand. Ryan chose 'A.' He's okay with it. His numbers are up."

Hal Greer was a guard who played for the 76ers right around the time Ryan was growing up in Philadelphia. The future Hall of Famer was so confident in his smooth jump shot that he decided to shoot jumpers from the line. And it worked magnificently, as Greer made about 80 percent of his free throws during his career.

While Evans' new stroke is mighty weird, it has actually improved his numbers. Evans shot 6-for-11 from the line in three games at the Big Ten Tournament.

"I'm a lot more confident going up to the line," Evans said. "It’s a lot better feeling than I was having early in the season. It was something that was on my mind day in and day out. I don’t think about free throws throughout the day anymore. I just go up there and try to knock them down."

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Indeed, sometimes the most bizarre free throw motions are also the most successful.

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Anyone who watched Steve Kerr during his time at Arizona or during his 15-year NBA career saw that he made three-point shooting look maddeningly easy.

The five-time NBA champion connected on about 45.4 percent of his three-point attempts, making him the most accurate shooter in league history.

So how did Kerr do it? His method was simple: Tons of reps.

"Just a whole lot of extra shooting beyond what you did in practice," Kerr told ThePostGame. "Before practice, after practice. Whether it was in season or out of season."

Kerr says he was also lucky enough to work with some great coaches over his career. At Arizona he was mentored by Lute Olson, and in the NBA he played for legendary coaches Phil Jackson and Gregg Popovich. That's not a bad recipe for success.

But perhaps the most important quality for someone who wants to hang around in the NBA, Kerr said, is the willingness to put in extra work. These athletes have risen to the top of their profession, and while they could coast and rely on their magnificent athleticism, the men who have the best careers know how to continually challenge themselves.

"Putting the work in every single day, being creative with the work that you’re doing," Kerr said. "Constantly trying to get better. But that's really what keeps guys around in the NBA and separates them is how hard they work and what they’re putting into it year in and year out."

Kerr has been serving on a panel which recently selected the National Association of Basketball Coaches (NABC) Allstate NABC Good Works Team. For more information about the squad and its honorees, see here.

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The free throw. It's either a basketball player's best friend or worst enemy.

While shooting percentages of the uncontested 15-footer have steadily increased since the beginnings of the NBA -- the league average is better than 75 percent in nine of the past 10 seasons -- some of its best players still struggle with the shot.

Cue Hall of Famer Rick Barry, who famously converted 90 percent of his attempts during his 14-year pro career, all while tossing them "granny style." Still No. 3 on the all-time list behind ex-Cav Mark Price and current Laker Steve Nash, Barry thinks more players should be shooting underhanded to increase their free-throw percentage.

"If you're shooting 80 percent or better, great," he says. "If you can't shoot 80 percent, you're not a good free-throw shooter, that simple. If you can't shoot in the mid-70s, you need to think seriously about it. If you're a 60-percent, 50-percent free-throw shooter, by God, you should try anything."

And so, Barry persists in passing along the technique for which he is most remembered, step-by-step:

First and foremost, regardless of which free-throw style, Barry says you need a routine.

"Every shot that you take, you have to take it exactly the same way every single time the ball is placed into your hands," he says. "I don't care if it's bounce the ball off your head three times, bounce it off your stomach, kick it with your knee, I don't care what your routine is, you have to do it every single time."

Barry thinks the mental game is a big aspect of free throws. He says having a set routine is important because in a critical moment, you won't think about making them, but rather simply go through a consistent and familiar progression.

"The last thing you want to be worried about is, 'Oh, God, I've got to make these to tie the game, or win the game,'" he says. "Go into your routine, like you've practiced thousands and thousands and thousands of times. So your entire being is focused on what? Your routine, not the situation."

With his trademark underhand technique, Barry says the shooter has to be old enough to hold the ball properly. As he explains it, the shooter's palms should not go underneath the ball with what may come to mind with the typical granny shot.

"Your hands have to be big enough to get over the top of the ball properly," says Barry. "And your thumbs should be even."

Next, the arms.

"Everything you do in the game, at least if you're playing it properly, your arms are up in an unnatural position," he explains. "You've got your arms up playing defense, you're shooting the ball up there, you're rebounding up there, and during the course of a game, you're going to get a little tired. When I get to the free-throw line, my arms are hanging down in a totally, completely relaxed, natural position. So I'm not going to get tense and tighten up or anything, because I'm in a totally natural position."

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With a vertical leap reportedly measuring more than 40 inches, LeBron James reigns king of the air. Sure, great genes help. But any man can increase his hops with a little work. The secret is adding plyometric training -- explosive power movements -- to your workout, says Todd Durkin, C.S.C.S., author of The IMPACT! Body Plan. That's why Durkin created this high-powered fitness challenge.

The test: How fast can you complete 24 jumps on a 24-inch box or bench?

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Here's how it works: Stand facing a box or bench that's 24 inches high. Jump onto it with both feet, landing softly with your knees slightly bent. Step down and repeat. Do 24 total.

Is a 24-inch box or bench too high? Use one 12 inches high to start, and work your way up to taller boxes each time you try the drill.

Want to give it a shot? Watch the video above to see Durkin perform the challenge. He completed 24 jumps in 58 seconds. What was your time? Tell us in the comments below. (Or, try one of these other exercises in the Men's Health Train For Life Challenge Series.)

Follow us on Facebook and Twitter to read them first!

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Among the many qualities that separate LeBron James and Magic Johnson from other NBA players who are in the 6-foot-7 to 6-foot-9 range is their extraordinary ball-handling skills. James and Johnson are the epitome of the "point-forward," the player who has the body of a power forward and the dexterity of a point guard.

When Clark Kellogg, another former prep star who was nearly as comfortable in the backcourt as he was in the paint, looks at his career, he quickly identifies ball-handling drills as the most important in his development.

At 6-foot-7 and 220 pounds, Kellogg has nearly the same body dimensions as James and Johnson. And while he never had the same professional success as either Magic or LeBron, Kellogg's smooth handles make one wonder how good he could have been were his career not derailed by creaky knees.

Kellogg told ThePostGame that his father's weakness as a basketball player was always ball-handling skills, so from an early age Clark Kellogg Sr. emphasized to his son the importance of being comfortable with the rock.

"As a 9-, 10-, 11-year-old who looked like he was going to be tall, my dad’s admonition to become a good ball handler is something that served me extremely well as I developed," said Kellogg, now a CBS analyst.

After a stellar prep career at St. Joseph's High School in Cleveland and an impressive stint at Ohio State, Kellogg could have been a fascinating foil for Johnson. In his first season with the Indiana Pacers, Kellogg averaged 20.1 points and 10.6 rebounds. That feat has only been matched by one rookie in the past decade: Blake Griffin.

Kellogg succumbed to knee problems after just a few years with the Pacers, leaving many to wonder what could have been.

Kellogg was always heralded for his drive and his basketball IQ, but when he looks back on his career he credits his solid ball-handling as perhaps the most important skill in his development.

"Any type of ball-handling drills that were part of my team practices or camp sessions that I attended always resonated, and I tried to put into practice," Kellogg said.

Even if Kellogg had stayed healthy, he likely would be remembered as more of a traditional big man than James or Johnson. But Kellogg's case is further proof that for big men, it never hurt to think outside the block.

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College professors rarely mention Nate Robinson in the same lecture as Sir Isaac Newton or Albert Einstein even though he's experienced the movement of a body (his own) through space on a level none of those physicists ever could. You can stare at an equation on a chalk board that involves energy and mass and acceleration all day long, but until you've propelled a 5-9 frame over 43 inches into the air, until you've felt your body break free from gravity, until you have, ever so briefly, flown, can you truly grasp how the earth's pull affects the human form? Some people ace physics, others defy them.

This is theory versus experience, reading versus rubber meeting the road. Like Robin Williams said to Matt Damon in Good Will Hunting, "So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him ... But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that."

That's how it might feel to be someone who studies the earth's gravitational pull for a living but relies on machines and technology to escape it. Nate Robinson relies on his legs. He knows what it's like to push off the earth with his own two feet and actually get somewhere.

For most of us who watch the NBA on a regular basis, that level of physical prowess is off limits; as unattainable as swinging through a city by slinging webs from our wrists. When we're standing under a 10-foot hoop, in our driveway or our gym, and we look up at the cylinder that's only three feet away from our outstretched arm, we think: How the hell does someone shorter than me get from here (the ground) to there (above the rim)?

***

The reason you care is because Nate Robinson is your height. He's a palm tree playing in a forest of redwoods. The reason you cheer is because he entertains. He's a basketball player and a showman, though the order on any given night is debatable. He's as much Harry Houdini as he is Harlem Globetrotter as he is guard for the Chicago Bulls. But he's a legitimate basketball talent -- always has been.

In his last year at the University of Washington he averaged 16 points, four assists, four rebounds and nearly two steals a game, which was good enough for the New York Knicks to select him in the first round of the 2005 NBA draft. He played nearly 30 minutes a game in each of his first five years in the NBA, culminating in a career-high 17.2 points a game during the 2008-09 season.

There are more stats and big games and memorable moments, especially during his 2010 playoff run with the Boston Celtics, where he played Abbott to Glen "Big Baby" Davis' Costello. Or, as Robinson described it in a press conference, "We're like Shrek and Donkey." Yet those moments all take a back seat to the seemingly impossible slams, the out-of-nowhere blocked shots and the three nights he performed for the entire basketball universe and won the NBA Slam Dunk Contest.

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